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	<title>Comments on: Visible light photography with the Fuji IS-Pro</title>
	<atom:link href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml/feed" rel="self" type="application/rss+xml" />
	<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml</link>
	<description>Photography tips and tutorials from Photographer David Kennard</description>
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		<title>By: Tony</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-405505</link>
		<dc:creator><![CDATA[Tony]]></dc:creator>
		<pubDate>Mon, 05 Apr 2021 06:44:35 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-405505</guid>
		<description><![CDATA[Thanks for sharing this. CornerFix was able to correct for pronounced cyan-green vignetting from Voigtländer Color-Skopar 21mm f/3.5 on Sigma FP. (I don’t use IR filters, I think vignetting is native to the lens and could have been exacerbated by cheap-ish CPL filter and/or Leica M-L mount adapter.)

RawTherapee produced terrible results with my flat field shot, yet with the same flat CornerFix produced great results and I could take the resulting DNG to develop further in RawTherapee.]]></description>
		<content:encoded><![CDATA[<p>Thanks for sharing this. CornerFix was able to correct for pronounced cyan-green vignetting from Voigtländer Color-Skopar 21mm f/3.5 on Sigma FP. (I don’t use IR filters, I think vignetting is native to the lens and could have been exacerbated by cheap-ish CPL filter and/or Leica M-L mount adapter.)</p>
<p>RawTherapee produced terrible results with my flat field shot, yet with the same flat CornerFix produced great results and I could take the resulting DNG to develop further in RawTherapee.</p>
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		<title>By: Dana</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-249140</link>
		<dc:creator><![CDATA[Dana]]></dc:creator>
		<pubDate>Thu, 04 Feb 2016 23:18:37 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-249140</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-60772&quot;&gt;Dave Kennard&lt;/a&gt;.

They do.  I&#039;ve since tried a Hutech IDAS LP4 light pollution filter (48mm meant to go on the back of a telescope) and it has wonderful rainbow vignetting.]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-60772">Dave Kennard</a>.</p>
<p>They do.  I&#8217;ve since tried a Hutech IDAS LP4 light pollution filter (48mm meant to go on the back of a telescope) and it has wonderful rainbow vignetting.</p>
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		<title>By: Dave Kennard</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-60772</link>
		<dc:creator><![CDATA[Dave Kennard]]></dc:creator>
		<pubDate>Thu, 12 Jan 2012 20:59:02 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-60772</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-60747&quot;&gt;Dana&lt;/a&gt;.

Hi Dana

The B+W filter is the only one I&#039;ve tried. My guess is that astronomical filters would have the same cyan vignetting as the B+W filter when used on wide angle lenses.

Dave]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-60747">Dana</a>.</p>
<p>Hi Dana</p>
<p>The B+W filter is the only one I&#8217;ve tried. My guess is that astronomical filters would have the same cyan vignetting as the B+W filter when used on wide angle lenses.</p>
<p>Dave</p>
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		<title>By: Dana</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-60747</link>
		<dc:creator><![CDATA[Dana]]></dc:creator>
		<pubDate>Thu, 12 Jan 2012 18:17:27 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-60747</guid>
		<description><![CDATA[Have you attempted to use astronomical UV/IR cut filters like the IDAS (http://www.sciencecenter.net/hutech/idas/uibar.htm) or Baader (http://www.alpineastro.com/filters/uv_ir_cut_specs.htm)?

Do they also exhibit green-cyan vignetting?

I recently purchased a (probably one of the last new-in-box) IS-Pro for primarily for astrophotography but I&#039;m interested in using it during the day also.]]></description>
		<content:encoded><![CDATA[<p>Have you attempted to use astronomical UV/IR cut filters like the IDAS (<a href="http://www.sciencecenter.net/hutech/idas/uibar.htm" rel="nofollow ugc">http://www.sciencecenter.net/hutech/idas/uibar.htm</a>) or Baader (<a href="http://www.alpineastro.com/filters/uv_ir_cut_specs.htm" rel="nofollow ugc">http://www.alpineastro.com/filters/uv_ir_cut_specs.htm</a>)?</p>
<p>Do they also exhibit green-cyan vignetting?</p>
<p>I recently purchased a (probably one of the last new-in-box) IS-Pro for primarily for astrophotography but I&#8217;m interested in using it during the day also.</p>
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		<title>By: Leo</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-59572</link>
		<dc:creator><![CDATA[Leo]]></dc:creator>
		<pubDate>Sat, 07 Jan 2012 16:05:58 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-59572</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52694&quot;&gt;Dave Kennard&lt;/a&gt;.

An interesting IR-related link: 

http://photographic-central.blogspot.com/2012/01/panasonic-lumix-dmc-l1-still-real-gem.html]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52694">Dave Kennard</a>.</p>
<p>An interesting IR-related link: </p>
<p><a href="http://photographic-central.blogspot.com/2012/01/panasonic-lumix-dmc-l1-still-real-gem.html" rel="nofollow ugc">http://photographic-central.blogspot.com/2012/01/panasonic-lumix-dmc-l1-still-real-gem.html</a></p>
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		<title>By: Dave Kennard</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52694</link>
		<dc:creator><![CDATA[Dave Kennard]]></dc:creator>
		<pubDate>Tue, 13 Dec 2011 09:06:33 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-52694</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52319&quot;&gt;Leo&lt;/a&gt;.

Ah, okay. I&#039;ve not tried it, but I don&#039;t think you would need to take two photos for that effect as a B&#038;W photo is the same as a colour photo converted to B&#038;W. So you can just take one shot, convert it once in colour and once in B&#038;W, then blend together in PS. If you took two shots you&#039;d have problems with foliage blowing in the wind between the shots, though I guess that could give the image a more ethereal effect.

I think the IS-Pro is equivalent to about 8MP, so it would capture quite a bit less detail than your Pentax. I posted a RAW file using the UVIR-cut filter on the blog, so you can always download that and see how it compares to shots from your camera if you want. I always convert the RAWs at 12MP size in Adobe Camera RAW.]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52319">Leo</a>.</p>
<p>Ah, okay. I&#8217;ve not tried it, but I don&#8217;t think you would need to take two photos for that effect as a B&amp;W photo is the same as a colour photo converted to B&amp;W. So you can just take one shot, convert it once in colour and once in B&amp;W, then blend together in PS. If you took two shots you&#8217;d have problems with foliage blowing in the wind between the shots, though I guess that could give the image a more ethereal effect.</p>
<p>I think the IS-Pro is equivalent to about 8MP, so it would capture quite a bit less detail than your Pentax. I posted a RAW file using the UVIR-cut filter on the blog, so you can always download that and see how it compares to shots from your camera if you want. I always convert the RAWs at 12MP size in Adobe Camera RAW.</p>
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		<title>By: Leo</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52319</link>
		<dc:creator><![CDATA[Leo]]></dc:creator>
		<pubDate>Mon, 12 Dec 2011 22:34:15 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-52319</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52313&quot;&gt;Dave Kennard&lt;/a&gt;.

1. That wasn&#039;t me :-(((  My guess he takes 2 conseq. shots with and w/o the filter, align and blend untill the result looks good. 

2. Didn&#039;t have time to play with different IRs, tried only 720nm. Pretty decent sharpness handheld. My main concern now is UV-IR cutoff (wanted a nikon mount camera as addition to my Pentax K). On a sunny day with B+W filter colors were good, WB a bit off but nothing major, mostly yellowish grass. Unfortunately all pics looked a bit unsharp, even at f8 with 35mm f1.8 lens. Either the filters throw off the AF or I am too used to 16MP K-5... In case I decide to return it, I&#039;ll keep experimenting with K-5. My only 52mm threaded lens is 18-55mm kit that focused well with 720nm IR and exposures weren&#039;t too long.]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52313">Dave Kennard</a>.</p>
<p>1. That wasn&#8217;t me :-(((  My guess he takes 2 conseq. shots with and w/o the filter, align and blend untill the result looks good. </p>
<p>2. Didn&#8217;t have time to play with different IRs, tried only 720nm. Pretty decent sharpness handheld. My main concern now is UV-IR cutoff (wanted a nikon mount camera as addition to my Pentax K). On a sunny day with B+W filter colors were good, WB a bit off but nothing major, mostly yellowish grass. Unfortunately all pics looked a bit unsharp, even at f8 with 35mm f1.8 lens. Either the filters throw off the AF or I am too used to 16MP K-5&#8230; In case I decide to return it, I&#8217;ll keep experimenting with K-5. My only 52mm threaded lens is 18-55mm kit that focused well with 720nm IR and exposures weren&#8217;t too long.</p>
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		<title>By: Dave Kennard</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52313</link>
		<dc:creator><![CDATA[Dave Kennard]]></dc:creator>
		<pubDate>Mon, 12 Dec 2011 21:56:21 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-52313</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-50370&quot;&gt;Leo&lt;/a&gt;.

Nice work Leo, I&#039;d be interested in how you&#039;re layering them, something like soft light blend mode with a selective mask?]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-50370">Leo</a>.</p>
<p>Nice work Leo, I&#8217;d be interested in how you&#8217;re layering them, something like soft light blend mode with a selective mask?</p>
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		<title>By: Dave Kennard</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-52312</link>
		<dc:creator><![CDATA[Dave Kennard]]></dc:creator>
		<pubDate>Mon, 12 Dec 2011 21:54:06 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-52312</guid>
		<description><![CDATA[In reply to &lt;a href=&quot;https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-50330&quot;&gt;Leo&lt;/a&gt;.

Hi Leo

I finally wrote up my findings: &lt;a href=&quot;//www.davidkennardphotography.com/blog/739-use-of-filters-for-full-spectrum-and-infrared-photography-with-the-fuji-is-pro.xhtml&quot; rel=&quot;nofollow&quot;&gt;Use of filters for full spectrum and infrared photography with the Fuji IS-Pro&lt;/a&gt;, &lt;a href=&quot;//www.davidkennardphotography.com/blog/746-full-spectrum-infrared-and-visible-light-photography-at-night-with-the-fuji-is-pro.xhtml&quot; rel=&quot;nofollow&quot;&gt;Full spectrum, Infrared, and visible light photography at night with the Fuji IS-Pro&lt;/a&gt;, and &lt;a href=&quot;//www.davidkennardphotography.com/blog/749-fuji-is-pro-white-balance-settings-and-acr.xhtml&quot; rel=&quot;nofollow&quot;&gt;Fuji IS-Pro white balance settings and ACR&lt;/a&gt;.

In short, I found the UV filter didn&#039;t make any difference at all. Shooting at night resulted in a lot of lens flare from lights, so I will prefer to use one of my &#039;normal&#039; cameras for that.]]></description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-50330">Leo</a>.</p>
<p>Hi Leo</p>
<p>I finally wrote up my findings: <a href="//www.davidkennardphotography.com/blog/739-use-of-filters-for-full-spectrum-and-infrared-photography-with-the-fuji-is-pro.xhtml" rel="nofollow">Use of filters for full spectrum and infrared photography with the Fuji IS-Pro</a>, <a href="//www.davidkennardphotography.com/blog/746-full-spectrum-infrared-and-visible-light-photography-at-night-with-the-fuji-is-pro.xhtml" rel="nofollow">Full spectrum, Infrared, and visible light photography at night with the Fuji IS-Pro</a>, and <a href="//www.davidkennardphotography.com/blog/749-fuji-is-pro-white-balance-settings-and-acr.xhtml" rel="nofollow">Fuji IS-Pro white balance settings and ACR</a>.</p>
<p>In short, I found the UV filter didn&#8217;t make any difference at all. Shooting at night resulted in a lot of lens flare from lights, so I will prefer to use one of my &#8216;normal&#8217; cameras for that.</p>
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		<title>By: Leo</title>
		<link>https://www.davidkennardphotography.com/blog/340-visible-light-photography-with-the-fuji-is-pro.xhtml#comment-50370</link>
		<dc:creator><![CDATA[Leo]]></dc:creator>
		<pubDate>Tue, 06 Dec 2011 03:56:48 +0000</pubDate>
		<guid isPermaLink="false">https://www.davidkennardphotography.com/blog/?p=340#comment-50370</guid>
		<description><![CDATA[Dave, have you tried this: IR Photography using a Hoya R72 Filter. It is a 2 photo process. I take a B&#038;W IR Photo and a Color IR Photo and layer them in Photoshop and then process them to create this effect. © RMStringer Photography

https://www.flickr.com/photos/rmstringer/5027716212/in/set-72157610807175317]]></description>
		<content:encoded><![CDATA[<p>Dave, have you tried this: IR Photography using a Hoya R72 Filter. It is a 2 photo process. I take a B&amp;W IR Photo and a Color IR Photo and layer them in Photoshop and then process them to create this effect. © RMStringer Photography</p>
<p><a href="https://www.flickr.com/photos/rmstringer/5027716212/in/set-72157610807175317" rel="nofollow ugc">https://www.flickr.com/photos/rmstringer/5027716212/in/set-72157610807175317</a></p>
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