Fujifilm X-M1 vs X-A1 w/ 16-50mm kit lens: ACR & Capture One compared

March 21st, 2014

A look at how the image quality of the Fujifilm X-M1 compares to the X-A1 and how the choice of RAW convertor (ACR or Capture One) affects the image. [...]

How to get a pure white background in ACR and PS

December 22nd, 2013

How to check whether the background of an image is pure white, and different methods you can use to blow out the background to pure white in ACR and Photoshop. [...]

Tokina 10-17mm fisheye CA Removal comparison – CNX2 vs DXO7 vs ACR7 vs Capture One 6

June 28th, 2012

A comparison of Capture NX 2, Adobe Camera RAW 7, DXO Optics Pro 7, and Capture One Pro 6 to see how well they work at removing chromatic aberration from photos taken with the Tokina 10-17mm fisheye at 10mm and 17mm on the Canon 5D MkII. [...]

Profiling unsupported lenses for ACR

June 11th, 2012

The process of creating a custom lens profile for Adobe Camera RAW, and whether the lens profile actually provides any benefits in terms of automatic Chromatic Aberration correction, Distortion correction, and Vignetting correction. [...]

Fuji IS-Pro white balance settings and ACR

December 12th, 2011

A brief look at how Adobe Camera RAW handles the white balance setting for visible light photos taken with the Fuji IS Pro camera. [...]

Tokina 10-17mm fisheye CA Removal comparison – CNX2 vs DXO6 vs ACR6.2

November 13th, 2010

Comparison of DXO Optics Pro 6, Adobe Camera RAW 6.2, and Capture NX 2 in automatically removing chromatic aberration and purple fringing from photos taken with the Nikon D200 and Tokina AF 10-17mm f/3.5-4.5 AT-X DX Fisheye lens. [...]